Guy Flicks vs. Chick Flicks | The Ultimate Movie Making Guidebook!
I was in a weak moment, tired and deadheading back to LAX after a long trip and attempting to kill time. It just happened that my airline had a movie on their latest IFE offerings I'd been trying my best to a avoid. Yup, fresh from the Oscars,
A Star is Born. While it didn't lower my testosterone level appreciably I marvel-- excuse the pun-- how much that genre has changed recently.
Venturing into the quicksand I'll say that this latest retool of
A Star is Born used a tried-and-true formula of casting a male lead that is more attractive than his female counterpart. Lady Gaga, as immensely talented as she may be, isn't the stuff most men lie awake at night jerking-off to, while Bradley Cooper with his country-western beard, aw-shucks voice lowered an octave and baby-blues probably appeals to a good percentage of women. Heretofore, movies like "Star" and
Titantic with Kate Winslet and Leonardo DiCaprio also followed a conventional chick flick law of attraction which states that the female must have redeeming qualities beyond mere physical appearance which so entice a man that he's woven into her spell. And then throw-in lots of sex tears and ever-after love, even
after the male lead croaks.
And then there is 2019
Captain Marvel starring Sacramento's Brianne Desaulniers as Brie Larson. Disney spent a gazillion dollars shoving this movie down our collective throats. Out in Los Angeles Disney-owned KABC sent their own George Pennacchio-- no relation to the Disney-owned cartoon character Pennochio-- to the movie's premiere in Hollywood where we learned bus loads of little girls had been shipped-in to watch their new female role model in-action (and make sure the theater was full.) The Thunderbirds flew in from Nellis AFB near Las Vegas and performed a fly-over of Hollywood Blvd. in the missing man formation to honor a member of that elite aerobatic team who had been killed in a plane crash subsequent to giving Brie Larson tips on-set how to act like a fighter pilot. Lastly Disney, perhaps using the same accounting methods that Donald Trump used when he inflated his net worth from a paltry 788 million to 5 billion according to Forbes, now says
Captain "Marvelet" is setting the world on-fire.
My question is how are they achieving this? And more importantly how many men are actually paying to watch it? Back when
Titantic was in theaters, groups of coffee-klatch women would party together and go see DiCaprio drown in the Atlantic several times a week: Few men would have that devotion. My guess is there are even fewer male homo sapiens who want to watch a revisionist Marvel character with an attitude
"Men? I don't need no stinking men!!!
What say we?